Christopher G. Moore Updates: 30 May 2014

Dear Friend,

Thanks for opening my newsletter.

Here’s a message from a writer I’ve long admired:

“It can be very dangerous to see things from somebody else's point of view without the proper training.” —Douglas Adams

You can read my essay titled Silence by clicking here.

On the theme of Silence, another quote from Adams:

“There was a terribly ghastly silence.
There was a terribly ghastly noise.
There was a terribly ghastly silence.” —Douglas Adams

Meanwhile, word of advice: never allow yourself to be caught inside a Vogon airlock as you never know what part of the universe you’ll end up in next.

Oh, yes, one more thing. Buy one of my books: Fear and Loathing in Bangkok (prophetic title) or The Marriage Tree (Working on a revised title: The Divorced Bamboo). Links below await your spontaneous decision to buy a book. Thanks for all of the fish.



Latest Releases


In Crackdown visual art becomes a powerful take down tool to push back against the oligarchs. People adjust to the surveillance state and its agents who are emergent forces. Post-coup Thailand is the setting as high tech competes with traditional power in a battle for hearts and minds. It is a noir landscape where Calvino finds himself ambushed as casualties from this battle leave behind a mystery or two. Calvino enters a world of ancient maps, political graffiti, student protestors and murder. The finger points at Calvino as the killer. He searches for allies who will help him prove his innocence. More>>

The Age of Dis-ConsentThe Age of Dis-Consent

In the follow up to The Cultural Detective, Faking It in Bangkok, and Fear and Loathing in Bangkok, Moore pays caring and critical homage to his residence of choice by diagnosing some of Thailand’s discontents and offering subtle remedies for readers to tease out.

The essays range from political conflict to violence and criminal investigations in the digital age, to cultural upheavals, cognitive science and writing, including essays about Orwell, Kafka, and Henry Miller. More>>


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